When we created D-Generation X, I was very hands-on in what we wanted that music to sound and feel like. When we went from my music and the various points of it to the creation of "The Game," I wanted it to sound a particular way that the music said, "We don't understand what you want it to sound like," because I kept telling them "no." I said I wanted it raw and guttural like Motörhead, and they said "Well, why don't we just see if we can get Motörhead to do it." And because I didn't know it was an option, we went and did it. When I started here in WWE, music was always a very important piece to me where I was as a character. It connects you to the power of the scene and what you're trying to get out of that scene. I remember thinking as a teenager that it's why they put soundtracks in movies. In the wrestling industry, the right music can connect you to the right performer in the right event, and just make you feel more.
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I think at that age I realized that music could just make you feel a certain way. Especially in the period with music videos, the right song could connect you to a performer. Obviously Flair's music was immensely powerful, but what struck me even more than the entrances was when there would be music videos. You saw World Class and WWE that would do music videos, you saw Cyndi Lauper with the Rock and Wrestling Connection.
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Michael Hayes and the Freebirds were some of the first people to bring music into their entrances. PAUL "TRIPLE H" LEVESQUE You know, when I was a kid, music was sort of just coming into the wrestling business. WHEN WAS THE FIRST TIME THAT THE COMBINATION OF MUSIC AND WRESTLING STRUCK YOU? We spoke with Levesque about his perspective on metal, how NXT gives rising artists a platform and more. It's a logical step from having your music featured on the show to becoming a full-on performer who interacts with the roster in unexpected and exciting ways, and that's the kind of symbiotic relationship that makes NXT so special. This past week, the Grammy-nominated auteur appeared on NXT to announce her new EP, EAT (NXT Soundtrack), and she also took the time interact with a variety of wrestlers on the show, such as Triple H, Dexter Lumis and Candice LeRae. This Sunday June 13th, WWE is hosting NXT Takeover: In Your House, which will be soundtracked by the pop-metal powerhouse Poppy.
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Lemmy Kilmister and the gang actually performed Triple H's walkout song, "The Game," at Wrestlemania 17, and his close association with the metal world gave his character a hard edge that influenced many future stars to follow in his footsteps. Back in his wrestling days, Levesque was known for his own badass soundtracks, beginning with a Rage Against the Machine knock-off band that scored his D-Generation X stable, and to eventually leveling up tremendously by commissioning two original songs from the one and only Motörhead. It's hard to imagine anyone else who's better suited for this position. Video of Motorhead - The Game (Entrada de Triple H Wrestlemania 17) The semi-retired wrestler is now tasked with making NXT the thrilling viewing experience that it is, from plotting how the matches themselves will unfold to choosing the theme songs for major events. Metal and wrestling go together like peanut butter and jelly, but there's one man in particular who can be credited with the brand's exquisite taste for underground shredders: Paul "Triple H" Levesque, WWE's Executive Vice President of Global Talent Strategy and Development.
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In addition to the warriors themselves, NXT has also become known for enlisting up-and-coming heavy-music groups to soundtrack their events, from Power Trip and Ghostemane providing theme songs for major matches, to Code Orange and Nita Strauss actually appearing on-camera to perform in the ring. Be it wrestlers who've worked for years on the independent circuit building cult-like audiences, or athletes just breaking into the business, NXT puts a spotlight on figures who've yet to ascend to most viewers' main rosters. Much like an underground club, WWE's NXT brand has always been a showcase for tomorrow's headliners.